Exhibitions

 

GALLERY ETHER is thrilled to present "B!OOM 咲く", a new dual exhibition featuring Nelson Hor and Iketaku, starting Saturday, September 21st and ending Saturday, October 12th 2024.

In most Asian countries, we are culturally trained to down-regulate our emotional processing, and strong ego-focused emotions like anger and sadness are often repressed because they are seen as a hindrance against ever-important social harmony and social order. However, emotions are not meant to be bottled away, without the right tool or way to digest these feelings, they will eventually explode and affect your actions harmfully. 

The title “B!OOM” is a word play on “to bloom” and “boom!”. Most people associate anger with negative impressions like aggression and abuse, but anger is also an emotion that works as a defense mechanism for us to understand the underlayer of other feelings like pain and love.  

Therefore, in this exhibition, a combination of Iketaku’s ideology of using grass fields as a contrast against his grotesque sculptures and Nelson Hor’s unique way of storytelling through paintings and installations, both artists decided to create an oasis that allows the audience to step in and reflect on themselves of what is the true meaning of anger. 

 Grief is the seed and anger is an explosive emotion that blooms.

Artists

Iketaku

Through Iketaku's roots in graffiti, he often expresses his frustrations with himself and his surroundings in pop art. Iketaku is known for his grotesque pop art style while focusing on the theme of "the relationship between Japanese people's honne and tatemae (true feelings and public behaviours)" through sculptures, illustrations and paintings. 

As a Japanese Gen Z, Iketaku has experienced a period of instability in Japanese society and feels anxiety about the future and fear of natural disasters. Therefore, he creates aggressive and grotesque works as a protest against this invisible fear. Iketaku believes this rebellious spirit against absurdity comes from the inner vitality of breaking down the frustration and gloomy circumstances held in the back of his mind.

Although Iketaku's work is mostly classified as grotesque, it appears kawaii at first glance as well. This unique style is based on his perception of pop art as the tatemae and the grotesque as the honne, and his way of expressing the irony towards the silent majority of Japanese people who harbour dissatisfaction and anger towards this repressed society but never actually act on it.

With the development of social media and a growing awareness of diversity, Iketaku feels that more and more people are becoming more hesitant to speak out and make conversation. Therefore, he hopes to create a dialogue and a connection with the viewer using a physical medium such as a non-digital sculpture.

Nelson Hor

Nelson Hor Ee Herng (born 1998, Penang) is a Malaysian Chinese artist currently practicing in Tokyo. Hor graduated with a BA in fine arts from Tama Art University in 2022. In his college years, Hor explored all kinds of mediums to find the perfect tools to express his voice as an artist. 

He uses mineral pigments and believes they are like a primal link between humanity and nature as the ancient people used mineral pigments to paint murals to convey messages and record incidents of the time. Hor thinks it would be interesting to use this medium as a tool to document issues related to our modern society, such as depression and discrimination against LGBTQ people. 

In his graduation piece, Hor decided to use letters, or more specifically, envelopes to represent his voice. An envelope is a transportation of words but it’s also very personal and intimate, it has to be unfolded and peeked into to get the message.

Hor believes that art is uniquely positioned to move people―inspiring people, inciting new questions and provoking curiosity, excitement and outrage. Therefore, he purposely exposes the “personal” contents and allows people to peep at them. Hor sees his work as a mirror that reflects empathy and hopes it could bring new discoveries and connections for both the artist and the audience.